Baked Beans on the Doorstep
Core of the Coalman, continuous contingency, vicissitudes of self as solo performer: when that self performing itself is Jorge Boehringer performing itself. Performances currently comprise spectral, spatialised, macro/micro-compositions and improvisations, performed with a variety of electronic and acoustic instruments, some homemade. Pieces are layered upon, next to, betwixt, or within one another to form situations that vibrate like stripes of complementary colours or circumstances melting into each other like strata in a landscape or romantics beneath the full moon. Whatever it is, its music, if you but bend an ear.